Purple Hibiscus Trust Creative Writing Workshop Calls for Applications

September 28, 2018 TWF Editor 3 Comments


The Purple Hibiscus Trust announces call for the 11th edition of its creative writing workshop. 

Applications for the workshop will be open until October 15, 2018. The workshop, which would be run by Chimamanda Ngozi Adichie will start from November 20 to November 30, 2018.

HOW TO APPLY
Applications will be received via email to purplehibiscus2018@gmail.com.

The email subject should read "Workshop Application".

The body of the email should contain the following: applicant's name, address, a short bio and a fiction or non-fiction writing sample between 200-1,000 words.

The final shortlisted applicants will be notified on November 7, 2018.

Accommodation will be provided for accepted applicants.

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Chimamanda Adichie’s creative workshop back with a new name, Purple Hibiscus Trust Writing workshop

September 27, 2018 TWF Editor 1 Comments

Chimamanda Adichie.
 Photo: Mamadi Doumbouya for Vulture
The literary community, budding writers and fans of internationally-acclaimed and award-winning Nigerian writer, Chimamanda Ngozi Adichie who has been silent following the temporary resting of the Farafina Trust Creative Writing workshop heaved a sigh of relief when the creative director, Chimamanda Adichie announced the return of the annual creative writing workshop.

The workshop which suffered a set back and could not hold last year because the sponsors pulled out, will now hold, as a new sponsor, Trace Nigeria, has taken over. 

This was announced by Chimamanda during an interactive session with the press in Lagos.

The workshop which is currently in its 11th year, will now hold from November 20 to 30, 2018. 

According to her, “the workshop will continue to provide me the opportunity to contribute to the growth of the writing community in Nigeria. It will also serve as a platform for writers to learn from one another and from established writers.” 

On his part, Sam Onyemelukwe, Managing Director of Venator Partners/Trace Nigeria, said: “We are very pleased to partner with Chimamanda Ngozi Adichie. She is an inspiration to youths in Africa and around the world; and through her art, she not only entertains, but challenges stereotypes and kindles conversations that would often otherwise not be had. This corresponds with the Trace mission to engage and inspire urban and Afro-Caribbean youths through news, entertainment, arts, lifestyle and culture.” 

Speaking about the workshop, she said that the workshop, which was formerly known as the Farafina Trust Creative Writing workshop is now to be called the Purple Hibiscus Trust Writing workshop. Pointing out that the workshop has really lived up to its bidding, “it has gone really well, it has grown, people have benefited from it. People are being made to understand that every society needs strong story tellers. I feel very proud of them and what they have done through it”. 

Adichie has been organising the workshop for the past 10 years under different sponsorships. The workshop has graduated over 200 participants, many of whom have become published writers and editors.

She teaches the workshop alongside other established writers who are invited. Past co-teachers include Poet laureate of Scotland, Jackie Kay, British-Malaysian writer, Tash Aw, and American novelist, Dave Eggers. 

She also called for applications from elligible canditates for the workshop which opened on  September 24 and will run till October 15. Such applications with few sentences about the person should be sent to purplehibiscus2018@gmail.com.

Reacting to a question on feminism, Ms. Adichie called for equality among men and women, “Women and men should be given equal opportunity. No one should stop anyone no matter the sex from being what he/she wants to be. Talents and intelligence cut across gender, so women should be allowed to occupy positions of authority.” Adding that, “we should not use religion or biological differences to hold women down.” 

On her style of writing, she said: “I don’t think I am a poet. I started with tiny books, but it did not go well. The first books were like trying to find myself and I finally found myself in fiction.”

On when next to expect a new book from her, she laughed and said: “I don’t know exactly, but what I can say is watch out.”

Some of the alums of the workshop, Sheilla Chukwunozie and Mazi Nwonwu also shared their experiences about the workshop, how it really impacted them and changed their lives.

Culled from Vanguard

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Call for Submission: Tribute to Kofi Annan

September 27, 2018 TWF Editor 1 Comments


Anase Writer Society and Muse for Peace Foundation are inviting poets and writers to submit their works from either of Poetry, Article or Essay, as tributes for the late Kofi Annan, the great peace activist and exemplary leader, who was passionate and dedicated to world peace and equality in his life time.

The submission which closes on Sunday, the 30th of September, 2018, is open to authors or poets of any nationality. 

Any interested poet or writer is permitted to submit only one poem (30 lines Maximum) or one article/essay.

Email subject of the submission should read "Tribute to Annan", while the submission should be placed in the body of mail, as file attachment is not allowed.  

Entrant is also expected to include his or her Name, Country, short Bio and Contact details in the body of mail to be sent to the mail welcoming the submission: kofiannantribute9@gmail.com.

Born on 8th of April, 1938; Kofi Atta Annan was a Ghanaian diplomat who served as the seventh Secretary-General of the United Nations, from January 1997 to December 2006 and also the co-recipients of the 2001 Nobel Peace Prize. He was the founder and chairman of the Kofi Annan Foundation, as well as chairman of The Elders, an international organization founded by Nelson Mandela. He died on 18 August, 2018.

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Call For Entries to Win 100K for the Ken Saro-Wiwa Prize

September 25, 2018 The Words Finesse 0 Comments


Committee for Relevant Arts and  Ken Saro-Wiwa Prize for Literary Review have called entries of movie reviews by all and sundry that's equal to the task for a reward of One Hundred Thousand naira (N100,000).

The Prize will be given to the winning entry at this year's Lagos State Book and Art Festival (LABAF 2018) scheduled to hold  in November.

How to enter
Review any three of the legendary Nigerian film maker, Tunde Kelani 's full length feature movies to win 100k for the Ken Saro-Wiwa Prize.

Entries should be sent to info@lagosbookartfestival.com or Coralabaf@gmail.com on or before October 20th, 2018.

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Bakwa Magazine releases Issue 8 on Pain

September 25, 2018 TWF Editor 0 Comments


A magazine of literary and cultural criticism, Bakwa Magazine, has released its eighth issue, themed PAIN.

Founded in 2011 by Dzekashu MacViban, Bakwa magazine is Cameroon’s leading Anglophone publication of literature, politics, and art. Its editorial team currently comprises editor Dzekashu MacViban, assistant editor Socrates Mbamalu, copy editors Nfor E. Njinyoh and Kelechi Njoku, staff writer Howard M-B Maximus, and editorial adviser Kangsen Feka Wakai. It also explore pain in different forms with an exciting mix of memoir, fiction and poetry.

Bakwa‘s Issue 08: PAIN has contributions from Isabella Morris, Howard M-B Maximus, Ucheoma Onwutuebe, Margot Block, Ani Kayode Somtochukwu, Olubunmi Familoni, and Isabella Morris, Dane Cobain, Stanley Princewill McDaniels, Agogho Franklin, Immanuel James, Leslie Meya, Imhanguelo Angela, Chinua Ezenwa-Ohaeto, Abigail George, and Kwoh Elonge.

Download Bakwa's Issue 08: PAIN. 

For more information, click HERE. 

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Chimamanda Ngozi Adichie named winner of Everett M. Rogers Award

September 23, 2018 TWF Editor 0 Comments


Nigerian author and writer, Chimamanda Ngozi Adichie has been named the winner of the 2019 Everett M. Rogers Award.

This was revealed in a press release by The Norman Lear Centre, a multidisciplinary research and Public policy centre with a focus on how entertainment and industry impact society.

This Norman Lear Centre has presented the award since 2007 on behalf of the University of Southern California’s Annenberg School of Communication and Journalism.

The women’s rights activist, critic, and feminist is set to receive the award on February 7, 2019, and speak at USC Annenberg ceremony.

Ms. Adichie’s first novel, Purple Hibiscus (2003), won the Commonwealth Writers’ Prize. Her 2013 novel Americanah won the National Book Critics Circle Award and was named one of The New York Times’ Top Ten Best Books of 2013. Her work has been translated into over 30 languages.

“Her voice and her power to inspire made Chimamanda Adichie the unanimous choice for the 2019 Rogers Award,” said USC Annenberg School Dean Willow Bay. “Her visit will continue the global conversation about race, gender and identity to which she’s contributed so forcefully.

Ms. Adichie’s “The Danger of a Single Story” is one of the most-watched TED talks of all time. A MacArthur “genius” Fellow and a member of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, she was named one of TIME magazine’s 100 Most Influential People in the World in 2015. In 2017, Fortune magazine named her one of the World’s 50 Greatest Leaders.


What is the Everett M. Rogers award?

The USC Annenberg School of Communication and Journalism is a leader in education and scholarship in communication, journalism, public diplomacy and public relation at all levels.

The award is presented in honour of Annenberg’s late Professor Everett M. Rodgers, the author of Diffusion of Innovations, the second most cited book in social sciences.

The award recognizes excellence in social causes, journalism, media, academia, authoring, and communication.


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Poor access to books limits literary conversation- Denja Abdullahi

September 23, 2018 TWF Editor 0 Comments


Denja Abdullahi is the President of Association of Nigerian Authors (ANA). His play, Death and the King’s Grey Hair, a metaphorical piece on tenured, monarchical leadership in an ancient African society, is one of the three drama pieces shortlisted for The Nigeria Prize for Literature Prize 2018. The prize is worth $100,000. In this interview with ANOTE AJELUOROU, he reflects on the prize, the challenges of playwriting and books in the country.

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Malawian Poet and Dipomat, David Rubadiri Departs the World at 88

September 19, 2018 TWF Editor 0 Comments


Malawian poet, academic, playwright, novelist and diplomat Professor James David Rubadiri has passed on at the age of 88 on the 15th of September, 2018.  Rubadiri, who was Malawi’s first ambassador to the UN and the USA was regarded as one of Africa’s most widely anthologized and celebrated poets to emerge after his country’s independence in 1964.

Rubadiri was born in July 19, 1930, where his father served as a District Officer while his mother was a homemaker who took care of the children as his father worked across the border in Tanzania. He crossed over to Uganda in search of better education and attended both primary and secondary education at King’s College, Budo in Uganda from 1941 to 1950, then Makerere University, Kampala from 1952-56, where he graduated with a Bachelor’s degree in English literature and History, before flying out to the University of London where he studied for a BA in Literature, History and Geography, and graduated with a first class honours degree. He went on to study MA in Literature at Cambridge before receiving a Diploma in Education from the University of Bristol.

After breaking off ties with the Malawian government in 1965, Rubadiri went on exile, teaching at Makerere University from 1968 to 1975, the University of Nairobi from 1976 to 1984, and, upon Wole Soyinka’s invitation, the University of Ibadan alongside Okot p’Bitek. He was further Dean of the Language and Social Sciences Education Department at the University of Botswana from 1984 to 1997. In 1997, he was reappointed Malawi’s ambassador to the UN, and then named Vice Chancellor of the University of Malawi in 2000. In 2005, he received an honorary Doctorate from the University of Strathclyde.

Rubadiri’s poetry appeared in the 1963 anthology Modern Poetry of Africa as well as in Transition, Black Orpheus, and Présence Africaine. His only novel, No Bride Price, which was published in 1967 and was critical of Malawi’s government, has been cited as among the earliest published fiction by Malawians. His other works include the anthologies Growing Up With Poetry: An Anthology for Secondary Schools (1989) and Poems from East Africa (1971), the latter of which he co-edited with David Cook, and the play Come To Tea (1965).

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3 Manuscripts Shortlist for 2018 Dinaane Debut Fiction Award

September 18, 2018 TWF Editor 0 Comments


The Jacana Literary Foundation (JLF) has announced a three-manuscript shortlist for the R35,000 Dinaane Debut Fiction Award. They are:

■ Legacy of a Rain Queen – The Eagle’s Martial by Sophia Tao
■ Not to Mention by Vivian de Klerk
■ The Mourning Bird by Mubanga Kalimamukwento

Submissions were judged blindly by a panel comprising: creative writing professor David Medalie, author of the story collections The Shooting of the Christmas Cows (1990), The Mistress’s Dog (2010) and the novel The Shadow Follows (2006); Rehana Rossouw, author of the Etisalat Prize-shortlisted and Humanities and Social Sciences Award-winning novel What Will People Say? (2014) and New Times (2017); and Songeziwe Mahlangu, author of the Etisalat Prize-winning and Sunday Times Fiction Prize-shortlisted novel Penumbra.

The winner will be announced at an award ceremony in October, in partnership with the University of Johannesburg Library. One of the runners-up will receive the R25 000 Kraak Writing Award which will offer the recipient mentoring and intensive coaching from an editor/publishing expert.

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Otosirieze joins three other judging panel for 2018/19 Gerald Kraak Prize and Anthology

September 18, 2018 TWF Editor 0 Comments


The Gerald Kraak Award and Anthology has announced the appointment of Otosirieze to the 2018/19 judging panel. The organisers made the announcement via a press release:  

"The Gerald Kraak Prize and Anthology would like to welcome Otosirieze as a judge for the 2018/19 Gerald Kraak Prize and Anthology. He will judge the prize alongside judges Sisonke Msimang, Sylvia Tamale and Mark Gevisser."

Founded in 2016 by the Jacana Literary Foundation and the Other Foundation, in honour of the late activist Gerald Kraak, the R25 000 Gerald Kraak Prize aims to honour African writing and photography that “provokes thought on the topics of gender, social justice and sexuality.” 

The shortlisted works are published in an anthology. The 2016/17 award went to Ugandan-born Kenyan photographer Sarah Waiswa and Kenyan writer Farah Ahamed. Its anthology, Pride and Prejudice, was launched in May 2017. The 2017/18 award went to Nigerian nonfiction writer Pwaangulongii Dauod. Its anthology, As You Like It, was launched in May 2018.

Submissions for the 2018/19 prize closed on 31 August 2018. The shortlist will be announced in December and the winner at a ceremony in Johannesburg.

About the judges:
Otosirieze is a writer, editor and literary journalist, and is deputy editor of the African literary culture website Brittle Paper. He is also an editor at 14, Nigeria’s first queer art collective, which has published two volumes, We Are Flowers and The Inward Gaze. Otosirieze is the curator of the Art Naija Series, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness, including Enter Naija: The Book of Places and Work Naija: The Book of Vocations. His fiction has appeared in The Threepenny Review and Transition, and has been shortlisted for the inaugural Gerald Kraak Prize and for the Miles Morland Writing Scholarship. He attended the University of Nigeria, Nsukka and taught English at Godfrey Okoye University, Enugu. He has completed a collection of short stories, You Sing of a Longing, and is represented by David Godwin Associates literary agency. He can be found at otosirieze.com.

Sisonke Msimang is the head judge of the award and is a writer and columnist for the Daily Maverick in South Africa. She has held fellowships at Yale University, the Aspen Institute and the University of the Witswatersrand in Johannesburg. She was born in Swaziland to parents who were political exiles and raised in Zambia, Kenya and Canada, before going to the United States as an undergraduate. Her family returned to South Africa after the release of Nelson Mandela and the unbanning of liberation movements in the early 1990s. She currently lives on planes, navigating the distance between South Africa and Australia. She is the author of Always Another Country: A Memoir of Exile and Home and the forthcoming The Resurrection of Winnie Mandela.

Sylvia Tamale is a Ugandan academic and human rights activist in Uganda. She was the first female dean in the Law Faculty at Makerere University, Uganda. In 2011 she published the book African Sexualities: A Reader. Her research interests include gender and sexuality, women in politics and feminist jurisprudence. Tamale has published extensively in these and other areas and has served as a visiting professor at several academic institutions globally and on a number of international human rights boards. Tamale holds an LLB from Makerere University, an LLM from Harvard Law School and a PhD in sociology and feminist studies from the University of Minnesota.

Mark Gevisser graduated from Yale University in 1987 with a BA magna cum laude. His books include Defiant Desire: Gay and Lesbian Lives in South Africa (1994), which he edited with Edwin Cameron; Portraits of Power: Profiles in a Changing South Africa (1996), a collection of his celebrated profiles from the Mail & Guardian; Thabo Mbeki: The Dream Deferred, which won the 2008 Sunday Times Alan Paton Award for Non-Fiction; and Lost and Found in Johannesburg: A Memoir (2012), which was shortlisted for both the Sunday Times Alan Paton Award and the Jan Michalski Prize for World Literature. He wrote and produced a feature-length documentary film, The Man Who Drove With Mandela (1998), which won the Teddy Award for Best Documentary at the 1999 Berlin Film Festival, and he has been shortlisted for an International Emmy for one of his scripts for the crime series, Zero Tolerance (2004). His journalism has appeared in publications ranging from The New York Times, The Guardian and Granta to most South African newspapers.

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Poetry |When I Meet My Maker| by Sakeenah Jatto

September 17, 2018 The Words Finesse 0 Comments


The ears of my Maker shall not be denied of this 
That you promised to be your best
But made a U-turn when you eyed the rest
You told me to accept it and not to say a word 
You asked me to leave work, that I needed to be worked on
I will tell my Maker how you lied to me

When I meet my Maker
I will tell Him the days I skipped my prayers
I will tell Him how I slept without some ishā
How hard I worked day and night to be fit, to fix and feed you
I will tell Him how you made me forget my maker
I will ask if really "you owned me" and not Him

When I meet my Maker
I will plead with Him to temper justice with mercy
That I was only jealous of you having Nancy
Which made me forget I was made for nothing
Other than to bow to You my maker

I will ask my Creator to punish you rather
For making me feel less to Nancy
For telling me always that you owned me
For making me patronize Sidi for the slow poison

When I meet my Maker
I will tell Him how I killed out of jealousy
How my heart popped out seeing your corpse
I will tell my maker truly I have wronged
And because I know He is the God of Justice
I will walk straight to hell because you made me nothing but evil


SAKEENAH JATTO is a Muslim lady, a native of Kogi state, Nigeria. She is final year student of English Education, University of Ilorin. She is a Radio broadcaster and a compere, a teacher in training, a writer, an humanitarian and a poet with the pen name "tranquil_pen". She has written several poems and short stories. She enjoys writing, impacting on younger generations and  loves engaging in meaningful discourses. She is a member of ANA (Association of Nigerian Authors), Kwara state chapter and Penwarriors Incorporations.

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Short story |His First, His Best| by Henry Chukwuemeka Onyema

September 15, 2018 The Words Finesse 0 Comments

Photo credit: Dreamtime.
It was the kind of night when spirits and human beings contested ownership of the earth. This was the period called morning-night. The sky was an inky blanket of darkness unpunctured by a moon. The stars fought valiantly but vainly to occupy the heavens. Crazy forms emerged and dissolved, given substance by febrile imagination. This was the hour when nature surreptiously stole the alertness of even the best guards.  This was the moment when human nerves were sapped by the mysteries of the dark. The hour when the gates fell to the barbarians; the wooden horse penetrated the city’s defences. This was the hour of the commando.

 Danji wondered whether the pounding he heard belonged to his heart or head. Whichever, what was clear was that it emanated from his body. Sweat bathed his face beneath the balaclava mask he wore. He wondered if his finger could effectively curl around the trigger of the Uzi submachine gun hanging from a strap on his right shoulder. He glanced at the man crouching in the darkness a few feet away. Ajayi was almost invisible; only the inkiness of the night contradicted the darker hue of his commando outfit. Danji held his breath and wondered for the umpteenth time how it would turn out. How the world would explode once the raid began.  

It was his first. And absolutely nothing he had learnt prepared Danji for this numbing fear; this awful urge to pee though the newest member of the 249 Special Battalion, Burning Spear Company Squad 9, knew there was nothing in his bladder. The images in his head were better locked up in the deepest recesses of his brain but somehow, in spite of his best efforts, they kept zooming in his face. There was some justification for this.  Danji and his mates were about to assault a stronghold of Kamadeem, the notorious chief of the Holy Warriors, the deadly group of terrorists who had held the country, especially the far Northern provinces by the balls for the past five years.  Kamadeem had become a law to himself, slaughtering, raping and rampaging at will. Even the security forces of the state were not exempted from the group’s attacks. They attacked military bases at will, captured senior police and army officers and videotaped their beheadings. The gory tapes were either put up on internet media platforms or sent to the offices of the country’s security chiefs.  The Holy Warriors shook the country when they openly attacked the country’s only military airport. Although the assault was foiled, the terrorists destroyed a number of transport aircrafts and attack helicopters and did substantial damage to the airport’s facilities.  The group captured and held large swathes of territory and openly poked their bloodstained fingers in the eyes of the government. It appeared they were unstoppable. Till the new helmsman took over in an election he won by promising the terror-stricken citizens that he would kick out the Holy Warriors in a year if voted into office. The electorate believed him. After all he was a retired army brigadier, a veteran of countless anti-insurgency operations and a winner of many blood-soaked battles against all kinds of territory-seeking marauders and fanatics.

Almost two years had gone and the war was far from won. There were forces, both internal and external, who ate their hair as they swore to keep the bloodbath going. A few did so because they believed in Kamadeem’s mad ideology.  Some because of political and tribal designs, including undiluted hatred for the brigadier and all he stood for. Many opposed him because an end to the war would block their sources of influence and power. But an overwhelming number of opponents opposed him because the bloodbath nurtured, fertilized and enriched the soil of corruption from which they fed fat: the inflated sums for weapons that never got to ill-clad and ill-equipped troops; the allocations for a war on terror that ended up in coded bank accounts; the hydra-headed contracts. A vigorous pursuit of the war would stop the flow of the milk and honey.

But the brigadier, against stomach-bursting odds, did not relent. The result was that on this fateful night, midway into the president’s tenure, this group of handpicked commandos was making an assault on Kamadeem’s lair. The journey to this hell of a night had been long, arduous and bloody.  The turning point was the establishment of the 249 Battalion which was commanded by a protégé of the president. The battalion was closely patterned after the British Special Air Service Regiment (SAS), a force whose officers had been earnestly requested for by the president to set up the unit. The British Prime Minister wisely sent him retired SAS officers to do the job. In the finely nuanced but no less gritty world of politics and diplomacy, there was a subtle difference from sending serving officers. The president accepted the compromise and so far the result had been satisfactory. Acting on solid intelligence and using methods the conventional forces were unused to, the 249 Battalion took the war to the Holy Warriors and for the first time the terrorists were on the defensive.  But it was a grim affair. The battalion’s casualty rate was staggering and replacing the dead was not easy. Danji was one of the most recent recruits who met the unit’s exacting standards.

The intelligence that led to this operation indicated that Kamadeem, who was always on the move, had a number of hideouts, some in the most unimaginable places. It took a while before he was tracked down to this one which was a big man’s palatial residence in the upper-crust King’s Boulevard.  Squad 9 was the arrowhead of the assault. There were twenty-five of them under the command of newly promoted Captain Hassan Tamuniye, one of the first members of the unit. His SAS trainers adjudged him a first-class anti-terrorism material and so far he had not disappointed. He spotted Danji during a recruitment exercise at the 563 Military Police camp where the twenty-four year old corporal had been serving since he joined the army a few years ago. Hassan had taken a fancy to the short and deceptively slim soldier and was delighted when Danji emerged with no less than eighty percent in each aspect of the gruelling training.

Danji carefully unslung his Uzi and waited. Good God, he prayed incoherently, not knowing what else to add. His insides seemed to have developed a will of their own. He took a deep breath. Try all he could, he could not muster enough moisture to moisten his tongue. He finally tracked down the steady pounding to his heart but there was nothing he could do to control it. Without glancing at the blackened surface of the special wristwatch he wore, a unique gadget each member of Squad 9 had, he knew the boom and blast would begin in barely five minutes. He glanced towards the immobile Ajayi. The guy is hardened, he thought. He does not look like someone about to wet his pants. Like me. The two of them would follow Sergeants Fagbeni and Ayakata through the gaping hole of the intimidating electrified rear fence which Fagbeni would blow open with the massive bazooka resting snugly across his back. Hassan and two of his boys, if things were going according to plan, were currently noiselessly taking out guards at the heavy double front gate with commando knives and other special silent instruments of death. In prearrangement with the power supply corporation, electricity had been cut from the area. Although this part of the city did not depend on the hyper-inefficient national power supply to survive. The brief cover of artificial darkness helped the squad and their back-up get into place without being spotted.

Danji counted in his head. One. Two. Three. Four. Five. His eyes focused on the squat shape of Fagbeni as he moved into place behind the cluster of trees opposite the fence, holding the evil-looking bazooka like a toy. Ayakata was behind him to load the weapon and support him. The earth itself held its breath in anticipation. Danji and Ajayi tensed.

When it came, the explosion was solid. One second, the colossal, wired and iron-tipped fence simply came apart. Fagbeni and Ayakata performed a deadly duet. Even as they threw themselves down to avoid the backblast, Ayakata reloaded from the cache of rockets crisscrossing his back. One more blast, and even before it totally died out, they were on the move. 

Danji should have moved forward. He should have followed Ajayi at full speed, his Uzi set on full automatic and firing bursts of 9mm steel jacketed death.  He had done this dozens of times in training.  The fear in his belly should have propelled him forward like the rocket, turning him into a killer machine. But Danji simply froze. At that moment, he was a living statue caught in the deadly grip of battle terror.

 ‘‘Come on!’’ Ajayi’s growl was muffled by his balaclava mask.  Danji’s ears rang with the sounds of war and his booted feet started moving as if they were not his.  They hit the yawning gap created by the bazooka. At that moment three fleeing terrorists nearly ran slap bang into them, their rifles blazing. Danji’s finger curled around the trigger as he screamed from unalloyed fear. Ajayi opened fire with sharpshooting speed and accuracy. None of the trio had a chance as the high-velocity bullets hurled them into the night. Ajayi grabbed his colleague and pulled him into the shadow of a wrecked car.

‘‘Guy, you want to stay alive?’’ he thundered, yanking down his mask to reveal feral eyes and clenched teeth. Danji could only nod.

‘‘Then get a grip on yourself.  If you try that rubbish again I swear I will kill you myself and save these bastards the labour.’’ He meant it. Danji shuddered. At that moment, he realized he had more to fear from Ajayi than the terrorists.

‘‘Move it.’’

They broke into a run.

******

It was a bloodbath. Kamadeem and his men fought back like madmen despite being surprised.  They were heavily armed and outnumbered the soldiers by at least five to one. The commandos had strict orders not to call in air support because of the residential nature of the attack zone. But Hassan radioed his back-up as soon as it became clear that the operation was turning from a quick assault to a pitched battle. He lost four men in five minutes. Finding Kamadeem was another matter. As he led the search for the terrorist chieftain, bursting from room to room, gunning down anyone who raised even a finger in a threatening manner, Hassan’s stomach rolled with a growing fear that the much-prized horse might have bolted.  In the name of the ancestors, who sold us out? he wondered. Not even the British-trained 249 was immune from the attacks of the demons of corruption and ethnicity that had kept the war going for a long time.

Fagbeni, the second-in-command for this mission, was leading another desperate search on the grounds of the massive compound. Corpses lay in awkward positions under bullet-blasted floodlights. They included Alsatians belonging to the terrorists. Fagbeni’s eyes darted towards a building behind the badly shot up garage. He had taken cover behind the body of one of Kamadeem’s men. Ajayi and Danji were with him. Danji was drenched in sweat and urine but at least he was on the move and doing all the things expected of him in this nightmare. 

 ‘‘See that building?’’ Fagbeni’s voice was intense.

 Ajayi and Danji nodded.

‘‘We are moving in. Cover left, Ajayi. Danji, right. You know what to do.’’

Danji nearly screamed: I don’t, Sarge. But he jumped to his feet like the hounds of hell were after him and took off, his eyes darting furiously, gun at the ready. He had barely moved a few feet when the hounds broke free in the most unexpected manner.

The bullet wrecked garage exploded in a frenzy of battle. Guns blazed from under, around and even above blasted vehicles. How the terrorists concealed themselves there in perfect invisibility was incomprehensible. But their rifles, light machine guns and machine pistols roared. Fagbeni’s scream was cut short by a blaze of bullets to the upper part of his body. As Danji hit the ground, rolling frantically for cover, he saw Ajayi open point-blank fire before high-calibre bullets hurled him a good four feet away.  He struggled to his feet, drenched in blood but another blistering hail of iron threw and kept him down permanently. The corporal could not even think. The desperate search for cover concentrated his mind. He landed bang in a wide hole where rubbish was burnt, stifling a scream as a stiff arm entangled his neck. It belonged to one of the soldiers. Half of his head was gone.

He dived behind the corpse, struggling to ignore the awful thing happening in his head. It was a crystal-clear realization that death was rushing at him in full force.  The realization grabbed his survival instinct by the throat in a vice-like grip but it fought back murderously. The enemy had broken cover. They were making a dash for escape, guns distilling pure death. They had realized they outnumbered and probably outgunned their attackers. 

Danji’s eyes and brain were furiously fast.  There were about seven or eight of them heading his way.  The one on the far left…it was all heated up by smoke and sounds of battle but he looked like the numero uno.  

‘‘No!’’ His scream echoed in his ears as something slammed into the side of his face with the brutality of a camel’s kick. Fear fled at once and Danji opened fire, breaking cover at the same time. He knew he was at death’s door but at that moment he did not give a damn.  All that mattered was taking as many of the sons of harlots with him to the immortal realm.  He wanted them to pay for killing Ajayi and Fagbeni; two good men. His Uzi continued chattering at full automatic as steel pounded into his body. Any man would have fallen under the impact. But Danji was not any other man at that moment. A demented laugh escaped his lips as his killers screamed under the devastatingly accurate sweep of his gun. Its blinding muzzle flash showed that his final guess on earth was right. When he finally landed on his knees, blood pumping out of his body like a vandalized oil pipe, none of the terrorists was alive. The Uzi slipped from his nerveless fingers and he toppled over.

Hassan and the back-up team found his body. Kamadeem was lying five feet away from him, his chest shredded by 9mm bullets, his eyes wide open in shocked death.

‘‘By Allah, he won this war for us,’’ the Captain whispered as medics stretchered Danji’s body into a lorry designated for carrying fallen squad members. 

Danji got a twenty-one gun salute at his funeral, a posthumous elevation to a full rank Lieutenant and the Distinguished Combat Star.

###

Henry Chukwuemeka Onyema studied History and International Studies at Imo State University, Owerri, Nigeria. A teacher by profession and a writer by vocation, his fiction and non-fiction have been published on literary sites and in print media such as naijastories.com, Brittle Paper, Kalahari Review, africanwriters.com, and 'The Sun' newspaper. He writes from Ikoyi, South-West, Lagos State, Nigeria.

Henry Chukwuemeka Onyema's His First, His Best is a heroic and human story of a rookie soldier under fire in his first counter-terrorist operation after elite training as a member of his country's Special Force. It shows how a person can rise above numbing fear to become an unexpected game-changer. The story was one of the 92 popularly selected by readers out of 500 entries for the 2018 Writivism Short Story Competition.

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The Emma Press calls for poems about insects for children’s anthology

September 13, 2018 TWF Editor 0 Comments


The Emma Press has called for submissions of poems about insects, for a children’s anthology to be edited by Fran Long and Dr. Isabel Galleymore. 

The anthology will be part of the publisher’s continuing series of themed anthologies of poetry for children. It accepts international entry, as long as such entrant have bought an Emma Press book or ebook.

Poets are invited to send in up to 3 poems, which should be suitable for readers aged 8+, and which will enthuse youngsters about the wonders of insects by either taking the readers on a journey of discovery to learn about insect anatomy, or inspire young readers about insect super powers. Or the ones  that could help children identify and classify insects.

The Emma Press accepts previously published poems as long as such entrant hold the rights to the poems and can license such to them. It also accepts translations, and translators can submit multiple proposals as long as they are one translation per author. The Emma Press offers each anthologised poet two complimentary copies of the book and a discount on future purchases of the book.

How to submit to Insect Poems
You must be a member of the Emma Press Club. Meaning you must have bought a book or ebook from the Emma Press website in this calendar year, since January 1, 2018, or already have been accepted into the club.

Place a maximum of three poems, each no longer than 65 lines, into a single Word/PDF/ODF document and only include text in the document and not images. Make sure your submission is anonymous. Also make sure you haven’t put your name or any biographical notes in the document and be aware that you will be asked to rename your document at a certain stage within the Google form.

Fill in the Google form HERE – it will tell you everything you need to know.

 The submissions will close on 5th of October, 2018.

Send all enquiries to hello@theemmapress.com. The team responds to every submissions. Hence, you will get an automatic receipt and a response once it receives your submission.

For more information on the call, visit HERE

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Goethe-Institut calls for submission to Afroyoungadult Short stories

September 12, 2018 TWF Editor 0 Comments


The Goethe-Institut has invited aspiring African writers of all ages interested in writing for Young Adults (YA) to submit short stories, 3,000 to 5,000 words in length, in Kiswahili, English or French.

Afroyoungadult, published by the Goethe-Institut, will feature Young Adults (YA) stories.

Selected authors will be published in an anthology and will participate in workshops in February 2019. 

The anthology will be available in Kiswahili, English, and French, and launched at the 2019 Ake Festival.

If interested, send your short story to afroyoungadult@gmail.com with a short biography and your preferred city for the workshop. 

The workshops will take place in the following languages in the following cities:

KISWAHILI: Dar es Salaam, Tanzania.

FRENCH: Lome, Togo; Dakar, Senegal.

ENGLISH: Accra, Ghana; Kigali, Rwanda; Lagos, Nigeria; Nairobi, Kenya; Johannesburg, South Africa.

The deadline for submissions is 30th of November this year. Announcement of selected entries will be made on 3rd of January, 2018. The workshops will take place between 11th of February  to 15th of February, 2019. 

Therefore, it's pertinent that only writers who will be in Africa and can travel to attend their chosen workshop should submit to the call.

Send all  enquiries to afroyoungadult@gmail.com.

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Submit to The Arkansas International's Emerging Writer’s Prize in Fiction

September 11, 2018 The Words Finesse 0 Comments


Submit to the Emerging Writer’s Prize in Fiction, a prize run by The Arkansas International. Send in your single prose work, not exceeding 7,500 words. 
The contest is open to writers who have not yet published a full-length book, but will accept writers with a book forthcoming before May 1, 2019 and those with chapbooks.
The prize incurs a $20 entry fee, which includes a one-year subscription. However, it is free to current subscribers. 
Interested writer may submit more than once. However, such writer must pay $20 for each new entry.
The Emerging Writer’s Prize in Fiction only accepts previously unpublished works. It will consider all works for inclusion in the print journal. 
Stanford professor, Adam Johnson, will judge the contest and he will judge all entries blindly. 

Therefore, entrants should not include name, contact information, or cover letter in their uploaded document. They should also double space their work and save it as a single .doc, .docx, or .pdf file
All entries should be turned in on or before October, 20, 2018, as submission has been on since August, 20.
Submissions can be uploaded online via The Arkansas International’s Submittable.
Close friends of the judge or recently affiliated with the University of Arkansas (studied or worked there within the past 4 years) are excluded from submitting to the competition.
For more information about the contest, Click HERE.

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Submit to the 2018 African Writers Award

September 11, 2018 The Words Finesse 0 Comments


Submissions are invited from writers in Africa for the 2018 African Writers Award, an annually organized award by African Writers Development Trust (AWDT) as part of the African Writers Conference (AWC). 

The conference annually brings writers of African descent together to network, create opportunities and sustain a conversation that would press forward the shared interests of African writers.

The theme of this year’s conference, slated to hold in Abuja by December this year, is “Re-imagining African Literature: New Voices, New Narratives in the Fight for the Girl Child”.

Therefore, writers can send in their flash fiction, short stories, children stories, or poems.

The maximum lengths for all categories' submissions include:

Flash fiction - 300 words max.

Children stories -  1,500 words max. Illustrations could be sent too, but optional.

Short stories - 2,500 words  to 5,000 words max.

Poetry - 30 lines max.

Submissions must be in English and must never have been published anywhere. All entries must be themed-based. You are only allowed to submit one entry per writer. Your submission must include a bio and picture, including links to social media pages, websites, etc.

You would submit your work by uploading it on the African Writers Conference (AWC) page. Click HERE and scroll to the bottom of the page to upload your work.

Four writers of African descent will win an award each with prize money. The award will be presented at the 2018 AWC dinner and awards night scheduled for December 1, 2018, at 6 p.m. The venue will be communicated later.

Nyashadzashe Chikumbu, Edith Knight Magak, Kolabomi Adeko, Nahida Esmail, and Anthony Onugba will judge this year’s submissions.

The deadline for entry submissions is October  13, 2018.

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Enter for 2019 Commonwealth Short Story Prize worth £15K

September 10, 2018 The Words Finesse 0 Comments


The 2019 Commonwealth Short Story Prize, an initiative of Commonwealth Writers, is now open for Short fiction submissions, and entrants have no restriction on setting, grenre or theme for their story.

The competition which also requires no entry fee covers countries* of the Commonwealth regions of Africa, Asia, Canada and Europe, Caribbean and Pacific. 

The Prize is awarded to the best piece of unpublished short fiction of 2000 to 5000 words in English. Translated entries are eligible, as well as short stories written in the original Bengali, Chinese, Kiswahili, Malay, Portuguese, Samoan and Tamil.

Regional winners will receive £2,500, while the overall winner receives £5,000. The translator of a winning short story into English will receive additional prize money.

The five winning stories from the 2019 competition will be published online by Granta.

The submission for the Prize opens on 1st of September, 2018 and will close on 1st of November 2018. 

To find out more about the contest's eligibility criteria and rules, kindly click HERE TO DOWNLOAD. 

Enter for the competition after reading the rules via HERE.


See Section 4 for countries in the regions mentioned in this story.

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Denja Abdullahi, Soji Cole, Akanji Nasiru make the 2018 NLNG Prize for Literature's shortlist

September 09, 2018 TWF Editor 0 Comments

The three shortlisted plays for 2018 NLNG Literary Prize
The Advisory Board for The Nigeria Prize for Literature has approved and selected a final shortlist of three books out of the longlist of 11 released in July 2018.

The shortlisted drama books, according to the statement issued in Lagos by Manager, Communications and Public Affairs of the prize sponsor, Nigeria LNG Limited, Andy Odeh, on Sunday, 9th of September, 2018, include Embers by Soji Cole, Death and The King’s Grey Hair by Denja Abdullahi and The Rally by Akanji Nasiru.

"Embers, by Soji Cole, focuses on life in one of the Internally Displaced People’s (IDP) Camps in Northern Nigeria. The characters gave testimonies of their ugly encounters in Sambisa Forest, as well as their painful discovery of life in the IDP Camp. A member of the Faculty of Arts at the University of Ibadan, Soji Cole teaches undergraduates play writing at the Department of Theatre Arts.

"In Death and The King’s Grey Hair, Denja Abdullahi, a literary essayist and National President of the Association of Nigerian Authors (ANA), confronts the issue of perpetuation in power, where rulers, like the king in this drama, employ all sorts of devices to cling on to power, long after they have overstayed their welcome.

"Akanji Nasiru’s The Rally, addresses the contemporary political theme of youth versus age. Nasiru is a professor of Performing Arts, Bowen University, Iwo, Osun State." The statement said.

The panel of Judges for the Prize, chaired by Professor Mathew Umukoro of Theatre Arts at the University of Ibadan, and which have a professor of Theatre and Performing Arts and the Dean of the Faculty of Arts at the Ahmadu Bello University, (ABU), Zaria Proffessor Mohammed Inuwa Umar - Buratai; as well as a Senior Lecturer in the Department of Theatre and Film Studies at the University of Nigeria, Nsukka, Ngozi Udengwu as members, expressed their delight at the high standard of writing evident in the entries for the competition this year.

Prof. Umukoro said, "all three plays have high literary qualities of effective dialogue, good dramaturgical structure, skilful handling of suspense, and credible characterisation, which have seen them through to this stage of the competition."

The International Consultant to the Advisory Board for this year’s prize is Jonathan Haynes, a Professor of English at Long Island University in Brooklyn, who was the founding Director of the West African Center of the Friends World Program (now LIU Global) in Kumasi, Ghana in 2001-2002. He taught at the American University in Cairo (Egypt), Tufts University, Albion College, Bennington College, and Columbia University, and spent three years in Nigeria as a Fulbright Lecturer at the University of Nigeria, Nsukka, Ahmadu Bello University, and University of Ibadan. His specialty is African studies; African film, video, and literature; colonialism and post colonialism; and English Renaissance literature. For two decades, he has been closely following the growth of the Nigerian film industry, Nollywood.

The other member of the Advisory Board, besides Professor Emeritus Ayo Banjo, are Professor Jerry Agada, former Minister of State for Education, former President of the Association of Nigerian Authors, and Professor Emeritus, Ben Elugbe, former President of the Nigerian Academy of Letters and President of the West-African Linguistic Society (2004-2013).

Prof. Ayo Banjo assured that his board will retain the high literary standards the prize has already attained ensuring that it remains the most prestigious literary prize in Africa.

The Nigeria Prize for Literature has, since 2004, rewarded eminent writers such as Gabriel Okara (co-winner, 2004, poetry), Professor Ezenwa Ohaeto (co-winner, 2004, poetry) for The Dreamer, His Vision; Ahmed Yerima (2005, drama) for his play, Hard Ground; Mabel Segun (co-winner, 2007, children’s literature) for her collection of short plays Reader’s Theatre; Professor Akachi Adimora-Ezeigbo (co-winner, 2007, children’s literature) for her book, My Cousin Sammy; Kaine Agary (2008, prose) for her book Yellow Yellow; Esiaba Irobi (2010, drama) who clinched the prize posthumously with his book Cemetery Road; Adeleke Adeyemi (2011, children’s literature) with his book The Missing Clock; Chika Unigwe (2012, prose), with her novel, On Black Sisters Street; Tade Ipadeola (2013, poetry) with his collection of poems, The Sahara Testaments, Professor Sam Ukala (2014, drama) with his play, Iredi War; Seasons of Crimson Blossom, Abubakar Adam Ibrahim (2016, prose); and The Heresiad, Ikeogu Oke (2017, poetry).

The Nigeria Prize for Literature rotates yearly amongst four literary genres: prose fiction, poetry, drama and children’s literature. The 2018 prize goes to Drama. The prize has a cash value of USD $100, 000 (One hundred thousand United States Dollars). A total of 89 plays were submitted for the 2018 edition prize. A winner will be announced at a public presentation in October.

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Enter for OkadaBooks and Union Bank Campus Writing Challenge to be Judged by two NLNG Winners

September 01, 2018 TWF Editor 0 Comments


Nigeria’s leading e-publisher, OkadaBooks has teamed up with one of the country’s biggest financial institutions, Union Bank of Nigeria, for a writing competition eligible to only undergraduates of the Nigeria's tertiary institutions. 

Entry to the Campus Writing Challenge, worth N960,000 total cash prizes for winners is free and will be judged by two winners of the NLNG Nigeria Prize for Literature: Chika Unigwe and Abubakar Adam Ibrahim.

The contest, which is focused on discovering students with raw, bold and creative writing talents as well as providing them with the necessary exposure to hone their craft and become master storytellers, is expecting each entrant to submit only one story based on the adult genre of adventure, romance, and sci-fi, and that's between 3,000 - 5,000 words via Union Bank’s Website.

The submissions which was opened on 27th of August, will be closed on 7th of October, 2018.

The winning entry will receive a cash prize of N500,000, while the first and second runner up entries will receive N200,000 and N100,000, respectively. 

The contest will also reward 4th best and Audience Favourite entries with N50,000 cash prize each, while the best designed short story cover will go home with N60,000 cash prize.

The winning and shortlisted entries to be announced in December this year, will be sent to top publishing houses in Nigeria for a chance for the winning students to ink publishing deal. The entries will in addition be published in the 1st edition of the Collegiate Anthology to be compiled by OkadaBooks.

About the Judges:

Chika Unigwe has published short fiction in several anthologies, journals and magazines, including Wasafiri (University of London), Moving Worlds (University of Leeds. She won the 2003 BBC Short Story Competition and a Commonwealth Short Story Competition award. In 2004, she was shortlisted for the Caine Prize for African Writing. She won the 2012 Nigeria Prize for Literature; She sits on the Board of Trustees of pan-African literary initiative Writivism, and set up the Awele Creative Trust in Nigeria to support young writers.


Abubakar Adam Ibrahim debuted a short-story collection The Whispering Trees that was longlisted for the inaugural Etisalat Prize for Literature in 2014, and shortlisted for the Caine Prize for African Writing. Ibrahim has won the BBC African Performance Prize and the ANA Plateau/Amatu Braide Prize for Prose. He is a Gabriel Garcia Marquez Fellow (2013). He won the prestigious NLNG Nigeria Prize for Literature with his debut novel, Season of Crimson Blossoms in 2016. He has also won the Michael Elliot Award for Journalism, the BBC African Performance Prize, and the Goethe Instut/Sylt Foundation African Writer’s Residency Award, and has been shortlisted for the Brittle Paper Anniversary Award. 

To enter for the Campus Writing Challenge, click HERE TO ENTER

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