Showing posts with label Arts and Literature. Show all posts

Three Nigerians nominated for 2019 Women’s Prize for Literature

The nominated authors
Three Nigerian authors, Oyinkan Braithwaite, Emezi Akwaeke and Diana Evans have been nominated for the 2019 Women’s Prize for Fiction.

The Women’s Prize for Fiction, previously known as the Orange Prize for Fiction and the Baileys Women’s Prize For Fiction, is one of the most prestigious literary awards in the world.

The News Agency of Nigeria reports that Braithwaite was nominated for her book ‘My Sister, The Serial Killer’, Emezi for ‘Freshwater’ and Evans for ‘Ordinary People’.

‘My Sister, The Serial Killer’ tells the story of the complex relationship between a glamorous Lagos fashion designer and her responsible older sister, who’s always ready with bleach and rubber gloves to help cover up a crime.

Emezi’s ‘Freshwater’ explores the multiple voices of an Igbo god living within a young woman.

Evans’ ‘Ordinary People’ cleverly exposes the melancholy of suburban middle-class black people using celebrity events. The book opens at a party thrown in honour of Barack Obama’s presidential victory in 2008.

The prestigious prize has honoured many great authors since it was launched in 1996, including Chimamanda Adichie, who won in 2007 for ‘Half of a Yellow Sun’.

NAN reports that the award gives a significant career boost and it comes with a £30,000 ($40,000) prize.

It was created after the Bookers Prize of 1991 where none of the six shortlisted books was by a woman, despite 60 per cent of novels that year being published by female authors.

Chaired by Prof. Kate Williams, the 2019 judging panel includes journalists Dolly Alderton and Arifa Akbar, anti-FGM activist Leyla Hussein.

NAN reports that Sarah Wood OBE, the chair and co-founder of the global video advertising marketplace, Unruly, was also on the panel.

Nobel Prize in Literature to be awarded twice this year after the 2018 sexual misconduct scandal


Two Nobel Prizes in Literature will be presented this year after the scandal-hit awarding body, Swedish Academy, was blocked from naming a winner in 2018.

The Nobel Foundation banned the Swedish Academy from awarding last year's prize following allegations of sexual misconduct against the husband of one of its board members and accusations of leaks, which effectively paralysed the institution. 

In a press release on Tuesday, the foundation, which executes Swedish inventor Alfred Nobel's will, said that its Board of Directors "believes that the steps that the Swedish Academy has taken and intends to take will create good opportunities for restoring trust in the Academy as a prize-winning institution".

In a statement, the Nobel Foundation said, "The Nobel Prize in Literature will once again be awarded, and this autumn laureates for both 2018 and 2019 will be announced."  

The Nobel Foundation had previously threatened to strip the Swedish Academy of its role in awarding the prize following the scandals, which first emerged in 2017 and resulted in a wave of resignations in protest. 

Jean-Claude Arnault, the husband of poet and former academy member Katarina Frostenson, was convicted on two charges of rape and sentenced to prison in October 2018. Frostenson left the body in January after an inquiry found she had leaked the names of prize winners on multiple occasions, which she denied.

The Academy's Pernanent Secretary, Anders Olsson, had announced in May that the prize would not be awarded in 2018 "in view of the currently diminished Academy and the reduced public confidence in the academy".
The Swedish Academy's formal gathering at the Old Stock Exchange building in Stockholm, Sweden
It was the first time the prestigious award was not handed out since a suspension in 1943 due to World War II.

According to Tuesday's statement, "several important changes" have been made, including a change in bylaws making it possible for members to resign, electing new members and dismissing any members who are "subject to conflict of interest or criminal investigation".

More so, five independent external members, intended to provide "valuable new perspectives" and assist in choosing the laureates, have been appointed. 

"Although it will take time to fully restore confidence, the Board of the Nobel Foundation believes that the prerequisites for this are now good. Given the reforms that have been implemented and planned, the Swedish Academy has the opportunity not only to put the past year behind it, but also to become a better-functioning organisation in the future," the Nobel Foundation statement read. 

Worth some nine million Swedish kronor ($966,300), the Nobel Prize in literature is awarded to a writer who has produced "the most outstanding work in an ideal direction", according to Alfred Nobel's will. The last recipient was British novelist Kazuo Ishiguro in 2017.

Reports have it that previous recipients have included singer-songwriter Bob Dylan, novelist Ernest Hemingway and poet Pablo Neruda.

In 2018, a one-off "alternate Nobel" called the New Academy Prize in Literature was awarded to Guadeloupean author Maryse Conde in lieu of the Nobel. 

The Swedish Academy is only responsible for awarding the literature prize. Other Swedish academic institutions select the winners of the awards in scientific fields, while a Norwegian committee picks the winner of the Nobel Peace Prize. 

The winners are usually announced in October, with the prizes being presented on the anniversary of Nobel's death on December 10.

Authors Invite Literary Enthusiasts to Public Presentation of New Book on World Poetry Day


The Kwara State Chapter of the Association of Nigerian Authors  (ANA) in conjunction with the National Library of Nigeria, Kwara State Branch, is inviting writers, authors, literary enthusiasts as well as the late Justice Mustapha Akanbi's proteges, friends and associates to the Public Presentation of a book titled, "Harmonious Chronicles" and commemoration of the World Poetry Day.

The book is a literary compendium dedicated to the pillar of support and benefactor of the Association of Nigerian Authors, late Honourable Justice Mustapha Muhammed Adebayo Akanbi, CFR, PCA, who departed the earth last year.

The event is scheduled to hold on Thursday, 21st of March, 2019 at Mustapha Akanbi Library and Resource Centre, No. 6, Agba-dam link road, G.R.A, Ilorin, by nine o'clock in the morning.

Expected at the occasion are academists, legal luminaries, literay scholars and other important dignitaries in all walks of life.

After the book review by Dr. Mahfouz Adedimeji, there will be series of poetry and dramatic performance in commemoration of the World Poetry Day which is observed yearly on the 21st of March.

To this end, interested performers at the event are mandated to send in their well edited works of salient themes to kwaraana15@gmail.com for scrutiny and prior approval by the Local Organising Committee (LOC) before D-Day. 

The subject of the work should be, "Work to Present at Kwara ANA's Harmonious Chronicles Public Presentation" and should be sent as a single MS Word attachment or copy-pasted in the body of the mail.

NLNG Calls For Submissions To Its 2019's $100K Prize For Literature


The Nigeria Prize for Literature aka the NLNG Prize for Literature, worth $100,000, is calling for submissions in the category of Children’s Literature this year.

To qualify for the Prize which application closes on 5th of April, 2019, you must have a children’s story book that worth the prize and have been written in the last four years. You must also be a Nigerian who has a national passport or national identity card.

Entries are invited for The Nigeria Prize for Literature 2019 based on the following Submission Procedure:

• Ten copies of the entry and, if available, an e-copy, together with evidence of Nigerian citizenship (photocopy of Nigerian passport or National identity card), may be submitted either by authors or publishers, in accordance with the genres in competition.

• Books should be submitted to Nigeria LNG Limited's External Relations Division, promoters of the prize, by the stipulated deadline. Failure to meet the stated conditions will lead to disqualification of the entry.

• No book published before January, 2015 will be accepted. Complete contact information, including full contact address, email(s), phone number(s) and other relevant contact Information should accompany each submission.

• An author will enter only one published work, Mere manuscripts will not be considered. No book previously submitted for this competition may be re-submitted at later date, even if major revisions have been made or a new edition published. The prize will be awarded for no other reason than excellence.

• No members of the Advisory Board or Panel of judges can enter their work(s) for the award in the period in which they are serving and two years therafter. No entries will be entertained from members of NLNG Staff and their families.

Method of Application
Interested and qualified candidates should send their entries to:
The Nigeria Prize for Literature,
External Relations Division,
Intels Aba Road Estate,
Km 16 Port Harcourt-Aba Expressway,
P.M.B 5660, Port Harcourt,
Rivers State.

OR

The Nigeria Prize for Literature,
External Relations Division,
Nigerian LNG Limited
4th Floor, Heron House,
10 Dean Farrar Street,
London, SW1 H ODX.
Email: nigeriaprizeforliterature@nlng.com

Panel of Judges
• A panel of judges has been appointed for The Nigeria Prize for Literature by the Advisory Board for Literature.
• The appointment of judges has been done to reflect the genre in competition for the year. Persons appointed as judges have wide experience, peer recognition, good public image, and command respect nationally and internationally.
• The outcome of the process as approved by the Advisory Board shall be final
Panel of Judges
》 Professor Obododinma Oha – Chairman
》 Professor Asabe Usman Kabir – Member
》 DR Patric Oloko – Member

An International Consultant will be appointed.

Advisory Board
》Professor Emeritus Ayo Banjo – Chairman
》Professor Jerry Agada – Member
》Professor Emeritus Ben Elugbe – Member

Announcement and Public Presentation of Winners
• The Winners will normally be announced and presented to the public in October this year.



OkadaBooks and Union Bank NG Unveil Winners Of First-Ever Campus Writing Challenge


The first edition of the Campus Writing Challenge, organised by OkadaBooks and Union Bank of Nigeria, was recently concluded at an award ceremony hosted at the Stallion Plaza, headquarters of Union Bank, sponsors of the initiative. 

In a mail from OkadaBooks' Content Manager, Martha Kings, to The Words Finesse (TWF), the hour-long private event was attended by some of the entrants of the contest, including the Top 10 winners, along with a few of their relatives, the OkadaBooks team and representatives from Union Bank.

From a total of 1,793 entries received, to the long list of the top 150 stories, to the shortlist of the top 10, the contest was an exciting journey of literary discovery.

First Place
Sima Essien, is a 100-level student of the University of Nsukka, studying English and Literature. His winning story, All your Colours, tells of the power and pain of family and love.

When asked what inspired his story, Sima revealed that “All your Colours” was actually not the first choice for his entry. He got nervous about his original story and had to do a last minute swap. The story appears to have won the hearts of the judges who had this to say; 

“All Your Colours is a deserving winner, a story told in an inventive and assured voice from. Often you read stories that leave you with enchanting sensations and this is certainly one of those stories.” - Abubakar Ibrahim, contest judge

“All Your Colours by Sima Essien does not have a single false note. It impresses with its vivid use of language and its deft execution of its theme of love, loss and hope.” - Chika Unigwe, contest judge


Second Place
Jesutofunmi Fekoya, a 300-level law student of the University of Lagos snatched the second spot with her story, Dark Clouds, which explores pollution.

In her words: “I wanted to write a story that would not only entertain, but also teach my readers a lesson about the environment”.

Here are what the judges had to say about her story:

“Dark Clouds was chosen for its originality. It is set in Lagos of the future, where clean air is a luxury that only the very rich can afford. It is an original take on a real environmental challenge (pollution) and offers a happy ending.” - Chika Unigwe

“Dark Clouds demonstrates ambition and grit. Though futuristic, it speaks of what may soon be our reality, in a Lagos damaged by an environmental nuclear we seem eager to detonate, but offers hope for the future and speaks of our now. A story told with imagination and confidence.” - Abubakar Ibrahim

Third Place
Joseph Akinkunmi, is a 400-level student of Zoology in the University of Ilorin. His story, Dry Lids and the Devil's Strings, tells the story of a young girl who suffers from an inability to shed tears. Joseph said that his story is inspired by a real life event.

Fiction often helps raise awareness and raise our voice against injustice; Dry Lids and Devil’s Strings does a bit of both.  Beyond that, it is also a compelling story of a young girl at the mercy of an ignorant aunt and unscrupulous pastors. - Chika Unigwe

Audience Favourite
Members of the public were asked to vote a personal favourite story and they chose Silence that Spoke by Roseline Okorie, a 200-level law student of Nnamdi Azikiwe University. During a 2-week voting session for the top 150 entries, Roseline’s story scored the highest number of votes.

Best Book Cover
Tales of Kuki by Idaewor Abel, a 300-level dentistry student of the University of Benin, was voted by the public as the entry with the best book cover due to its simple but well detailed graphic design.

Unlike most contests that focus on rewarding only the top 3, the Campus Writing Challenge will be rewarding the top 25. Plans are in motion to make the Campus Writing Challenge an annual competition for students in tertiary institutions across Nigeria.

It would be recalled that the Writing Challenge jointly judged by two winners of NLNG Prize for Literature, Chika Unigwe and Abubakar Adam Ibrahim, which opened submissions on 27th August and closed on 7th of October, 2018, promised total cash prizes of N960, 000 to winner.

The winning and shortlisted entries are also expected to be sent to top publishing houses in Nigeria for publishing opportunity deal for winning students. The winning entries will also be published innthe 1st edition of the Collegiate Anthology, to be compiled by OkadaBooks.


When We Were Growing Up, There Was Enough Time To Read- A.O. Hassan

A.O. Hassan
AbdulAzeez Hassan aka A.O. Hassan is an Officer of the Nigerian Prisons Service and a prolific writer. He is the author of many books of fiction, among which are The Short Route, A Night of Patriotism, The Patriot, The Innavator's Paradise, and Hidden Angle. In this interview with ABDULHAFEEZ T. OYEWOLE,  he delves into books, his journey into writing and his dream for an upright Nigeria.

ANA Releases Shortlists for its 2018 Literary Prizes


The Judges of the Association of Nigerian Authors Literary Prizes have  released the shortlists for the 2018 ANA Prizes. 

The judging panel for the literary prizes, which consist of: Prof. Nelson Fashina- University of Ibadan; Prof. Effiong Johnson – University of Uyo;  Ismaila Bala Garba-  Bayero University, Kano; Dr. Owojecho Omoha- University of Abuja; and Prof. G.M.T. Emezue- Alex Ekwueme Federal University, Ndufu-Alike Ikwo, release the shorlists today.

According to the panel of judges, winners of the various prizes will be announced at the awards dinner of the 37th Anniversary International Convention of the Association of Nigerian Authors  (ANA), coming up on Saturday, the 27th of October, 2018 in Ikeja, Lagos, Nigeria.

Below are names of authors and titles of their shortlisted works in no particular order:

ANA PROSE FICTION PRIZE
The Beginning of Everything Colourful - Onyeka Nwelue
Hang No Clothes Here - Bolaji Olatunde,
The Longest Trial - Uchenna Eze,
Absolution - Oreva Ode-Irri,
The Return of Half-Something - Chukwudi Eze

ANA DRAMA PRIZE
Teeth set on Edge - Akin Bello
Brother - Achalugo Ezekobe
Guerilla Post – Obari Gomba
Saint Ojedi - Amechi Chiedu Obumse

ANA POETRY PRIZE
The Poet of Dust - Umar Abubakar Sidi
The Lagos Cuban Jazz Club - Onyeka Nwelue
Bombblast or Breakfast - J. O. J. Nwachukwu-Agbada
Blood Drops - Patrick Oguejiofor

ANA/ABUBAKAR GIMBA PRIZE FOR SHORT STORIES
Justice Club - Sasi Miet Jajja
Things That Start Small But Sweet - Bibi Ukonu
Vacancy for the Post of a Bride - Emmanuel Asika

THE ANA PRIZE FOR CHILDREN'S LITERATURE
Nwauwa: the Girl with big Dreams - Paschal Okeke & Vera O. Chuks-Iwuchukwu
Primrose and the Kidnappers - Jide Ogunlana
Once Upon a Village- Su’eddie Vershima Agema

ANA/NECO TEEN AUTHOR PROSE PRIZE
If You Looked Inside a Girl - Chibundum Kosisochukwu Ndukwe
Tomorrow Brings Beautiful Things: Stories - Ernest Ogunyemi

ANA/MARIA AJIMA PRIZE FOR LITERARY CRITICISM
Nativisation as Style and Identity Marker in Barclays Ayakoroma’s Dance on His Grave - Ebi Yeibo

Poetry |My letter to Daddy & Dear my Mother| by Muhammad Auwal Ibrahim


MY LETTER TO DADDY

Dear my father, You are like a farmer:
That farmed on my land
With hoe and cutlass
During rainy and dry seasons
For long, planting seeds,
Know that, your plant will not produce poor products
Your service is unrewardable here
Only God can reward you
All the shades we spread now,
Come after your fertilization

How will I forget you?
How far have I gone?
That I can't see my back
I am not such a blind driver,
That drives without a mirrow
On a narrow road, thinking to arrive safely

Do you think that I forget you,
Your face, walking, and thoughts
If I forget everything,
I think you, would not be forgotten

Don't you think I am that child?
That remembers his father's caring
in the day and night
His efforts in disciplining him,
His responses to his cries

Open your ears and hear me!
I still see you in my mind,
The tree you watered,
Is spreading its roots, products,
And shades in the world



DEAR MY MOTHER

Oh, my mother! I love you so much
That I cannot close my eyes without seeing you
You are a precious stone,
Whose value will never fade away
You sacrificed sleep to see me succeed
When something pains me,
You be the one to feel it
You bathed, clothed and backed me whenever I cried
Either in the morning or at night
I urinated and stooled on your clothes
But you still backed me after washing them

Dear my mother,
I will never deny your hands
That held me for many months
Since from birth till childhood
I must appreciate you for feeding me
Taking good care of me
For not letting me go on the street like others

If I shall live till that time, when I will be rich
Rich like a gold
I will buy you a house of prestige
A house made of gold
Not as reward
Because I can not pay you:
Your time, unforgettable labour pains
And sacrifices made for me
You tend to be an umbrella
Just to cover me from rain or sun
Just to make me safe and heal my health

Dear my mother,
If you shall live long on earth healthy,
I will show you that love:
Which a child shows to his mother
I shall not be like that pepper
That calls tears out of women's eyes
Nor shall I be like an onion
That makes eyes to flood like a large body of water
So, I shall not let your tears fall
Talkless of hear you cry
So long as I breathe on earth
I shall honor and respect you to my ability

If I shall live for a million of years
I will spend ninety nine thousand years
Looking over you without showing any sign of tiredness
I know I cannot pay you back
Even the smoke that makes you smell
The heat that makes you sweat


Muhammad Auwal Ibrahim is a Nigerian poet and playwright. He writes from Gombe state, Nigeria.

Spouse and Baby Machine: A Matter of Concern| by Yetunde Lois Ogunshola


A beautiful term has been coined for women- a baby machine. Women have been subjected to discrimination across all ages and it is still waging strong. A woman had her duties outlined for her once she is born. She graduates from a daughter to a wife and then a mother. As a wife she can only be considered as being fulfilled when she performs her duty of procreation and this brings to mind the story of Nnu Ego in Buchi Emecheta's "The Joys of Motherhood", what was expected of her, how she went about her ordeals and how she became a perfect example of a baby machine.

Men have a house but a woman turns it into a home, and as such they are to be celebrated. It is quite erroneous to assume that the only thing a woman is useful for is procreation and men are simply to provide for the family. You only know the value of something only when you have lost it, don’t lose your wife before you realize she is much more than a baby machine because you will be shocked when you find out how tiresome it is to care for those children you dumped on her.

However, men are not the only one guilty of subjugating their spouse, some women are too, because it has been said that people will make of you what you’ve made of yourself. It is not surprising that the moment some women get married, they turn themselves into old women around the house, even though they are still in their mid or late twenties. Perhaps these kind of women are of the opinion that their youthfulness ends the moment they get married and enrolled themselves into the category of old women. Their sole aim in life is then to get pregnant and fulfil their responsibility. As a woman, your youthfulness continues in matrimony, let your husband see traces of the woman he chose to marry out of the many out there.

One of the mistakes women make is to ignore their husband once they become mothers, deliberately turning themselves into a baby machine. Many a husband has complained of being ignored for his child by his wife in the sense that she gives her attention to the child while neglecting the father. This has been a cause of rift in many families, where the husband gets jealous of his own child because his wife has made him feel unwanted. Some women are only concerned with having children because of the belief which has been drummed into them since childhood as being what was expected of them.

Women are not to be regarded as baby machines, not by their parents, themselves nor their husbands. The function of a woman in a home is more than taking care of the house, her husband and children. The belief that has set women apart for discrimination must be rejected and the men should see other importance of their wives apart from procreation while the wife should know how important she is in the house and that her duties is not limited to her children. 

Oppression occurs in different forms and it is hypocritical to blame someone for it when you are practising it as well. A society where discrimination is enthroned will find it impossible to grow. Take care of that helper in your home and those wonderful issues.


● Yetunde Lois Ogunshola is a Nigerian, living in the city of Ilorin. She is a University undergraduate of the prestigious University of Ilorin, Ilorin, Kwara State, Nigeria, where she is studying English, with her specialty in Literature. She is an author and has published some stories online.

Many gods, One Mic: Outcome of Pen Warriors' Open Mic and Writers' Connect

Some of the literary artistes and musicians at the event
Abdulhafeez T. Oyewole 

It was a darling outing for artistes and art enthusiasts last Saturday in Ilorin, Kwara state, Nigeria, as a house of young talented 'gods' hosted poets, spoken word and entertainment artistes to a memorable session of becoming the gods on MIC and connecting with one another afterwards for future opportunities and greatness.

The Open MIC and Writers' Connect sessions organized by Pen Warriors Inc was a well charged synergetic scene that saw the convergence of young stars in the arts and literary space as well as in the music and entertainment industry, showcasing their god-given talents to the delight of all and sundry at the event.

The Open Mic session handled by Penwarlord and an upcoming model, Sophia Elias, captured the young talents seizing the free moment to perform their pieces that revolved around various themes such as love, lust, politics, youth, tradition, nature, emotion, life, city, nation, reformation and natural phenomenon.

The event which recorded impressively dynamic arts pours and musical flows from all the young talented performers, also welcomed an inspiration and motivational talk by a young storyteller,  Stephen Adedoyin.

Members of Pen Warriors such as Ahmad Saliu Toyin (Penwarlord); Jalaludeen Assayouti (Jalal Poetry); Sakeenah Jatto (Tranquil Pen); Muib Shefiu (Sagacious Ink); and Lateefat Suleiman (Golden Thought) were not left out in airing their views on the MIC, through poetry and spoken word.
Members of Pen Warriors Inc 
Other poets and spoken word artistes that graced the event with their series of mind-blowing poetry and spoken word were: Abdulhafeez T. Oyewole (Prince H.T.O); Umar Saidu Isa (The Dynamic Galvanizer); Shehu Abdulsalam Aladodo; Akanbi Habeeb Oluwadamilare (Damilare Mapper); Koyum Kolade Afolabi (KK Awesome); Ahmed Durojaye; Bamishe Ibrahim; Sakeenah Abdulkabir;  Optimistic Smart; Aminat Abdulsalam (Talented Sense); Naimah Raji; and Awoseni Adegoke Israel.

There was also distinct musical performance from: a singer, drummer and a musical producer- Temitayo Daini (Bass Billy); an artiste- Borlex; a rapper- Jam Shan aka Gangstar; and an artiste- Ayantola Ayobami Ahmed (H-wise).

Ealier speaking on behalf of Pen Warriors Incorporation, one of the organisers, Miss Sakeenah Jatto, thanked everyone for making time out to attend their one of a kind event, adding that it takes courage, love and kindness to write, rise and come forward to celebrate with fellow humans.

She said that the event was conceived by their organisation as a way of preserving arts, saying, "We are doing this in an Aristotelian way: Art for Art Sake."

"Regardless of the resources on ground, we are breaking bounds. Solely for one purpose: so that our voice and your voice will be heard," she added.
Angle shot of audience at the event
According to Jatto, in reaching out to the world around them, some people don't need much, they only need somebody to show them love to be able to be on top of their world.

Speaking about Pen Warriors Inc, another member, Mr Muib Shefiu said Pen Warriors Inc is a writing house that consists of distinguished like minds with the intention of reinvigorating literary creativity through honing writers' skills and providing guidance in the literary world.

The writers organization headed by Ahmad Saliu Toyin (PenWarLord), has Jalaludeen Assayouti (Jalal Poetry); Sakeenah Jatto (Tranquil Pen); Lateefat Suleiman (Golden Thought); Muib Shefiu (Sagacious Ink); Aisha Muhammad (Umairah) and Zainab Oluwakemi Adewale (Chemodiva) as members.

Below are other shots from the event.









A-Book-A-Child Project: Kwara ANA Distributed Books to Secondary Schools

- Abdulhafeez T. Oyewole

The distribution of the Association of Nigerian Authors  (ANA)'s A-Book-A-Child Project to Secondary schools was successfully conducted in Kwara state, with the donations of Salamatu Sule's "Oma: The Drummer Queen", along other published works by the Kwara State Chapter of the Association to schools in the state.

Pen Warriors To Host Open MIC Session, Writers Connect In Ilorin


All is set to host all arts and literary enthusiasts to a soul lifting Saturday show in the city of Ilorin, Kwara State, Nigeria, as a body of young self-motivated artistes and artists, Pen Warriors Incorporation, invites all and sundry to its event.

The event tagged, "PEN WARRIORS OPEN MIC SESSION and WRITERS CONNECT" is to hold on Saturday, 11th of August, 2018 at No 245, Citadel International Educational Consultant, Beside Forgo Battery, Taiwo road, Ilorin by 3:00pm.

According to the organizer, microphone "is open to Artistes: Poets, Spoken Word artistes, Rappers, Singers, Comedians, Instrumentalists, Writers of other genres, Karaoke Lovers," and many more, to do what they love to do best on the MIC.

Travelogue |A Passage To Russia| by Wale Okediran


It’s almost midnight in Saint Petersburg and the sun is yet to set. From my vantage point at the window of the bedroom of my rented apartment on Muchnoy Pereulok 1, Tsentralny district, the city appeared angelic and very beautiful in the brilliant late night sunshine. Outside on the streets, lively, friendly, romantic and bustling Russians were out to mark the day when the sky stayed reddish-gold all night. Hours after my dinner of Lamb Soup, Rice and Vegetables with Chicken Roast, I was surprised when rays of sun that peeked through the window curtains kept disturbing my sleep. Unknown to me, I had arrived Russia on the Summer Solstice (also known as White Night) ‘The Longest Day of the Year’ with about 19 hours of sunshine.

As I hung by the bedroom window waiting for the sun to set, an advert in the St Petersburg metro map caught my eye ; ‘’Celebrate the summer solstice, the longest day of the year, with drumming, dance and ritual. Integral Church will join St. Petersburg's Body Electric to honour the seasons and the spiritualistic "changing of the guard" that comes with the solstice. Dancers and drummers of all skill levels welcome, but this event is only open to people ages 12 and older.’’ Seduced by the enticing thoughts of an all night drumming and dancing, I briefly flirted with the idea of throwing off my pyjamas and joining the revellers for the celebration but I thought otherwise and went to bed. When I went back to the window around 1am, the sun had disappeared only to reappear 3 hours later for the beginning of another long day.

Welcome to Russia, the land of ‘’endless wonders and achievements’’, the land of great writers, musicians and inventors. For example, it was the brilliant Russian engineer, Mikhail Kalashnikov who invented the AK-47, one of the most popular small arms weapon in the world. Till date, the powerful gun, the favourite of many guerrillas and militaries in the world remains one of the most controversial masterpieces from Russia. At 17,125,200 square kilometres (6,612,100 sq mi), Russia is the largest country in the world by area, covering more than one-eighth of the Earth's inhabited land area, and the ninth most populous, with over 144 million people as of December 2017, excluding Crimea. 

I had come to Russia to watch the 2018 edition of the World Cup, my first ever. My decision to make the trip had been inspired by Alex Iwobi’s 73rd minute goal at the Nigeria/Zambia match which I watched live at the ‘Nest Of Champions Stadium’ in Uyo on October 7 2017. It was Iwobi’s goal that made Nigeria the first African country to qualify for the 2018 World Cup in Russia. The feat gave the country her sixth World Cup finals appearance having first qualified for the international football showpiece in 1994. My decision to travel to Russia was further reinforced by my US based secondary school mate, Tayo Popoola who was attending his 7th World Cup. It was Tayo who further motivated me with pieces of advice and logistics for the trip. 

Another reason for my Russian trip was Literature. As an ardent lover of Russian Literature, who has devoured the works of several Russian Literary icons such as Leo Tolstoy, Boris Pasternack, Fyodor Dostoevsky, Anton Chekhov among others, I was looking forward to a visit to the land of the ‘Literary masters’. 

Anna Karenina, my favourite novel by Leo Tolstoy was first published in book form in 1878 and widely considered one of the greatest works of fiction ever written. And while Chekhov the medical doctor/writer and my professional forebear was one of my literary inspirations, Pasternack’s Doctor Zhivago, a moving historical book about the Russian Revolution is one of the few books that I have read and watched its film adaptation. Surprisingly, (just like the yet to be released film adaptation of my book Tenants of the House) I found the film adaptation of Doctor Zhivago better than the book. I also recalled that it was Dostoevsky’s The Possessed, a haunting psychological fiction that inspired my own psychological, tragicomedy book, Dreams Die at Twilight which was adjudged in a 2009 National Literary competition as one of the best 50 books in Nigeria in the last 50 years. The accounts of my literary and cultural experience in the land of the red hair (an allusion to Russia’s ancestors who came from the middle east and believed that red hair was a sign of nobility) will be captured in another article.

Since spectators themselves sometimes watch football matches with occasional tragic pensiveness, I decided to go for a medical check up before boarding the plane to Russia. More so, I didn’t want Messi the Argentine soccer maestro to mess up my Blood Pressure during the potentially hypertensive match between Nigeria and Argentina on June 26. Luckily, my doctor found my Blood Pressure and heart good enough to withstand the expected ‘nail biting’ and ‘leg kicking’ tension of the games.

It was obvious that Russia was ready to impress the world during the World Cup event as I arrived Saint Petersburg’s Pulkovo airport on a rainy afternoon into the waiting hands of a welcome team made up of volunteer Russian Students. After posing for photographs with the team, the friendly Russian youngsters explained to me in halting English how I would find my way in their city. I would later discover that only very few Russians speak English and that communication would be a big challenge during my stay in Russia. Also waiting to receive me was my friend Tayo, who had also come all the way from the US with his long term colleague, Dion. Together, the trio boarded a rental car driven by Tayo for the drive to our rented apartment on Muchnoy Pereulok 1. My first impression of St Petersburg was that of a city with long blocks of tall buildings interconnected with canals thus giving the City the nickname of the ‘Venice of the North’.

Saint Petersburg is Russia's second-largest city after Moscow, with 5 million inhabitants according to the 2012 census. Situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, it was founded by Tsar Peter the Great on May 27 1703. Variously known as Petrograd and Leningrad, Saint Petersburg was the capital of Imperial Russia between 1732 and 1918. In 1918, the capital moved to Moscow, which is about 625 kilometres (388 mi) to the south-east. Saint Petersburg is one of the modern cities of Russia, as well as its cultural capital. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site. Saint Petersburg is home to the Hermitage, one of the largest art museums in the world. The city was built by conscripted peasants from all over Russia; a number of Swedish prisoners of war were also involved in some years under the supervision of Alexander Menshikov. Tens of thousands of serfs died building the city. 

My first match in Russia was the Argentina /Croatia match on June 21 2018. Since I didn’t have a ticket for the encounter, I watched the match a few hours after my arrival in Russia at the FIFA Fan Centre in St Petersburg. The experience showed how the experience of watching football opens several dimensions in time and space. The FIFA Fan Centre where large viewing screens had been mounted for spectators was a bee hive of activities. Apart from the large area for viewing the matches, there was also a sports shop for souvenirs and mementoes as well as tents for drinks and snacks. Outside the arena, happy and joyous spectators decked out in the colours of several countries, exchanged banters, posed for photographs and generally interacted. The whole place was a microcosm of humanity with the young and old from all corners of the world enjoying the beautiful game and its magic. And despite differences in colour, tongue and habit, nobody got in anybody’s way because the World Cup is not only about Football but also about so many other things. It is about friendship, networking, history, tourism, national and international identity as well as, humanity. The event also offers a universal theatre, turning national identities into signs of longing for the wider world.

In order to make my next match which is the Belgium/Tunisia match on June 23 at the Spartak Stadium in Moscow, Tayo, Dion and I had to depart Saint Petersburg for Moscow on a High Speed Train which arrived the Russian capital city after a pleasant four hour journey. I was welcomed into Moscow by a blaze of sunshine, skyscrapers, beautiful streets and wide boulevards. With a population of 13.2 million, Moscow the Russian capital is the country’s most populous city. 

The following day after a breakfast of eggs, sausage, bread and coffee, I departed to the Spartak Stadium via the Moscow Metro, a massive multilayered underground mammoth of trains and masonry for the Belgium/Tunisia match. Although slated for 3pm with the stadium’s gates to be opened at 12noon, my friends and I decided to depart our apartment by 10 am to avoid the crush of the teeming football fans. Since transport to the stadium on match day was free for fans with match tickets, the metro was crowded with football fans from several countries. Spartak stadium, owned by one of Russia’s most popular football teams, Spartak Moscow is a matter of great pride to Russians. Its façade takes the form of chain mail consisting of hundreds of little diamonds representing the Spartak logo. There was a great fanfare outside the stadium on our arrival with football fans in their multitudes singing and dancing with some of them already tipsy from the beer sold by Budweiser in FIFA labelled plastic mugs. Also on sale in nearby tarpaulin tents were Coca Cola, Potato chips and peanuts. Security checks at the stadium entrance were very strict as football fans were made to pass through metal detectors. Even, foodstuffs were disallowed so much so that a small orange which I planned to take during the match was seized at the gate!

As we filed into the stadium which had been filled to its maximum capacity of 44,190, we all made our way to our seats which had been inscribed on our tickets. After a series of official ceremonies, the football pitch was sprinkled with cold water obviously to make it conducive for a good match. Meanwhile, the stadium was like a carnival as the fans from both teams decked in the bright colours of their country’s football teams drummed, sang and danced. Suddenly, amidst all the noise and pageantry, the stadium soon erupted into an uproar as the two teams entered the field. After the National Anthems of the two countries, the match commenced at the end of which, the score line stood at Belgium 5/ Tunisia1. And as we finally trooped out of the stadium moments later, the heavens opened up with a heavy rain. Crowds of people especially the delirious Belgian fans made their way to the train station, Taxi stops and the metro for the journey to their hotels, bars and apartments. 

However, despite the late hour, many of the football fans remained on the street of the famous Russian city with endless festivities of drumming, dancing and drinking. Not to be outdone, the Russians themselves abandoned their usual social restraint to approach foreign fans with broad smiles, with offers of help and local gastronomic tips. In this respect, I found the elderly Russian women more sympathetic to foreigners who usually found the language barrier a big challenge to cope with. And although the Russian police seemed to turn a blind eye on some misdemeanours like public drinking and traffic obstructions by joyous fans, it still took its job very seriously. On one occasion, Tayo, Dion and I were surprised that even after donning the well known Nigerian jersey with our ID card visibly hanging on our necks, a passing police pulled up beside us as we walked down a major street in downtown Moscow in broad daylight and demanded for our International Passports.

According to newspaper reports, the Russian federal government spent $12 billion preparing for the World Cup, most of it going to improved stadiums, airports and roads in host cities. In addition, the country engaged in a concerted effort to tame its habitual xenophobic demons in anticipation of 500,000 foreign soccer fans descending on the country for the World Cup. And as the report indicated; ‘’The country even organized classes on how to smile’’ Unfortunately, not all Russians assimilated this new found lessons. According to reports, one member of the Russian Parliament warned Russian women against sleeping with foreign men, especially if they were from a different race. Another cautioned even against hugging visitors from other continents, given that they might be rife with disease. The ensuing outcry was loud and sharp, with many on social media comparing the remarks to propaganda during the 1980 Olympics, when the Soviet Union warned its citizens against talking to foreigners. (In that era, any talk of sex was strictly taboo.)

Since the long awaited Nigeria/Argentina match was to take place in Saint Petersburg on June 26 by 5pm, it was inevitable that we should make our way back to the city. So it was that, we found our way back to St Petersburg from Moscow via the fast train arriving at the Moskovsky Train Station in the city in the evening of June 25 with the outside temperature now a sweltering 22oc. We spent the early part of the following day sightseeing in Saint Petersburg. One of the important places visited was the beautifully decorated Kazansky Cathedral where many Argentina fans who are Catholics were lighting candles and praying at the feet of saints obviously for success in their forthcoming encounter with Nigeria. Earlier in the day, Tayo had told me of his premonition that Nigeria was going to lose the match based on the previous encounters between the two countries where Argentina had always won. It was his belief that the psychological feeling of inferiority on behalf of the Nigerian team anytime it met Argentina in football matches will always be a big challenge for the team. I disagreed with him and predicted a Nigerian victory. 

Moments later, on our way to the stadium, we passed the central part of the town where a Television crew asked for my opinion on the forthcoming Nigeria/Argentina duel. Again, I predicted a Nigerian victory. As we later moved towards the stadium, we chanced upon a crowd of football fans donning both the Nigerian and Argentina jerseys. Among the Argentina fans was a young man who spoke Hausa to me. He told me that he grew up in Katsina state where his father was a missionary doctor for many years. Although he said he was wearing an Argentina jersey, his heart was for Nigeria whom he prayed would win the match. As usual, a lot of excitement in the form of drumming, singing and dancing by both the Nigerian and Argentina fans was already on when we reached the stadium. In one corner were two Nigerian ladies with big sacks of the very popular Nigerian jersey which they sold for fifty dollars each. In another corner were a knot of football fans without tickets who were haggling with some agents who were now selling tickets at the black market rate of $400-$500 from the official rate of $120-$200. As we were taking in the convivial scene and taking photographs with fans from both sides, an agitated Nigerian fan suddenly ran towards a truck full of Russian policemen as he frantically shouted that his ticket had been stolen on the train on his way to the stadium. He was sweating and very angry as he demanded to talk to a police man who could speak English. As Tayo predicted, Nigeria lost the match to Argentina. I was depressed all night and while Tayo and Dion later went out for dinner, I remained in our apartment brooding as I struggled through a ‘mournful’ dinner of bread and chicken stew. 

Although the World Cup was just beginning with the commencement of the knock out stage, for me, Nigeria’s ouster pulled the wind out of the sail of the competition. I therefore watched the remaining matches with half hearted devotion. To Russia’s credit, the tournament which only 10% of people around the world had viewed positively a year earlier went very well. Prior to the competition, there were threats of boycott by some countries because of some political dissentions. In addition, there were fears of dangerous levels of hooliganism while some people did not believe that the country’s transportation infrastructure could handle such a massive influx of people into the country. But to the surprise of everyone who expected these issues to boil over at some point, nothing of the sort happened. As a first time visitor to Russia, the World Cup nullified the Russian stereotypes of a cold and hostile country. In its place, I encountered first-world infrastructure, impeccable planning and mostly friendly people, except for the glum looking members of the security forces.

The Russians put their success story to years of planning for a government eager to improve Russia’s dire international image. Perhaps, a final testimony of the success of the tournament could be seen in the statement credited to the U.S. national security adviser John Bolton who on a recent visit to President Vladimir Putin at the Kremlin said; “I look forward to learning how you handled the World Cup so successfully,” as the US top official referred to the fact that the U.S. will host the 2026 World Cup along with Mexico and Canada.

Tribute |Atukwei Okai - Gone is the Organ Grinder| by Femi Osofisan

Prof. Atukwei Okai. Credit: MyJoyOnline.
It has been hard for me to find the right words to say. Since I learnt that he left us, it has been like a terrible bout of muteness, because Atukwei was (was!) not just another friend. Along with the great poet, Kofi Anyidoho, he was one of the two people in Ghana who became my virtual siblings, in the course of more than two-and-a-half decades now of restless wandering, and who have made Accra more than a welcome place, but always a warm home for me. On the phone I would call out, “How are you, my Brother?” And he would gleefully reply, “How are you, my Uncle?”

So perhaps it was just logical then that Kofi should be the first person to give me the news. One afternoon, on the 13th of July precisely, his email arrived with the bleak announcement: “Big Big Wahala ooo, This Earth My Brother! Atukwei Okai, Organ Grinder to God and Mankind, is now an Ancestor, from This Morning!”

From Kofi, it could not be a prank. Yet the 13th of July, for most of us in the arts, is normally a day of rejoicing. It is the day we celebrate Wole Soyinka’s birthday, and through that, the often-neglected beauty of literature in the human community. In any case, birthdays, I have always asserted, are not for dying!

So the news, I said, sent me into prolonged numbness. Not again, I pleaded in desperation! It has been just too many fatalities of late. Too many friends have been leaving, too many loved ones departing, all pointing frighteningly — as our Yoruba elders remind us — to our own impending mortality. Is this how we shall all go then, abruptly, with so many dreams still unfolding, still budding, unhatched, in our pockets?

Atukwei was a bundle of lofty dreams and tall ambitions. He put his footsteps down in tall strides and bid others follow as he sought with uncommon zeal and tenacity to drive those dreams to fulfilment. That was the secret of his infectious devotion to the Pan African Writers Association (PAWA).

But I had met him before PAWA, through his poems. The unusual logorligi lines and unconventional asymmetric rhythms were creating quite a stir, most of it hostile then, among the public. But I saw them as representing a fascinating, novel experience in the creation of modern African poetry in English, an audacious attempt to (re)capture the primal beats and cadences of traditional oral poetry in the syntax and acoustics of our acquired European languages. After I had pointed this out and forcefully defended it — in my essay, ‘The Nostalgic Drum’ (RELS, 1978) — Okai’s poetry began not only to receive more sympathetic attention, but also to spawn enthusiastic acolytes. And we became friends.

Needless to say, the friendship entered a new phase of attachment when, in 1989, PAWA was formed, and he became its executive secretary-general, while I was elected the vice-president for West Africa. From that moment, Atukwei could be nothing else. PAWA became virtually synonymous with Atukwei and Atukwei with PAWA. My friend took to his role with complete fervour, such that it became a life vocation. When, after some years in office, I told him of the need to quit our posts and bring in new blood, and consequently sent Ken Saro Wiwa, my successor in the Association of Nigerian Authors (ANA), to replace me, Atukwei was unflinching. Calmly he sent Saro Wiwa back, explaining that, according to the agreed regulations of our organisation, PAWA officers could only be replaced by a vote of the general assembly. Yet all attempts to summon a general assembly since that initial gathering have failed woefully for all kinds of reasons! Does it mean then that those initial representatives are doomed to stay in office forever, even against their will or competence? Sadly the question was not resolved in Atukwei’s lifetime.

But one of the reasons the problem remained unresolved was quite clearly the fact of Atukwei’s personal efficiency, dedication and doggedness. Almost single-handedly, he kept the organisation going. PAWA is a creation of the Organisation of African Unity, but of all the governments comprising the continental body, it is only Ghana that sustains it with regular funding. And it does so no doubt because our secretariat is located in its capital Accra, but mostly because Atukwei is able to use his personal energy and the considerable influence he has garnered in the country over the years to sway his government. By ceaseless advocacy, Atukwei also got some other governments — e.g. Libya, Ethiopia, Cameroun, Guinea, and recently, Nigeria — to meet their commitments, but only spasmodically and erratically, sometimes even to the embarrassment of their PAWA’s members. But Ghana has given us a Secretariat, as well as a diplomatic status, and some annual budget.

It is in Ghana that one prestigious hotel after another, in response to the hypnotic oratory of our executive secretary, has agreed to host our annual meetings at no or minimum cost to the financially crippled organisation.

I am not sure now just how well this pecuniary situation sat with the personality of Atukwei himself. Certainly he enjoyed the position of executive secretary and did not wish to relinquish it. He relished the benefits in terms of travelling, meeting writers all over the continent and beyond, basking in the privileges of diplomatic preferment.

In return, he gave his full service to the cause of the organisation as he understood it, defended his colleagues as passionately as he could, especially from the hammer of intolerant governments, and was unrelenting in organising the Writers’ Day celebration that the OAU itself set aside for it. Our last journey together in fact was to Malabo, in a bid to get the Equatorial Guinean government to fulfil its promise to host the next Writers’ Day in November. Regrettably, we failed in that quest.

Now that Atukwei is gone, there can only be one question for all of us — what will happen now to PAWA? What is our future going to be? The right answer is what will constitute a befitting legacy to the man’s memory.

Adieu, grand Organist. I thank you for having been my friend and my brother.

NLNG’s Literature Prize longlist of 11, power, politics dominate- Andy Odeh

Longlisted plays for 2018 NLNG Prize for Literature
The struggle for political control and power play dominate the longlist for the $100,000 Nigeria Prize for Literature, announced yesterday in Lagos by the Advisory Board for the Prize, sponsored by Nigeria LNG Limited.

Below are what, in parts, Andy Odeh -Manager, Corporate Communication and Public Affairs of NLNG Limited- had to say, in a statement issued yesterday, about the NLNG longlist and its prizes that began eight years ago.

"The 2018 longlist of 11 plays chosen from 89 entries was selected by a panel of three judges led by Matthew Umukoro, professor of Theatre Arts at the University of Ibadan. Other members of the panel include Mohammed Inuwa Umar - Buratai, professor of Theatre and Performing Arts and the Dean of the Faculty of Arts at the Ahmadu Bello University, (ABU), Zaria; and Ngozi Udengwu, a Senior Lecturer in the Department of Theatre and Film Studies at the University of Nigeria, Nsukka.

"The Umukoro-led panel was appointed in February 2018 by the Prof. Ayo Banjo-led Advisory Board for the Nigeria Prize for Literature which has been administering the prize on behalf of Nigeria LNG Limited since 2010. Entries for the 2018 Prize were received by the judges in April 2018.

"The longlist for this year’s Prize is as follows:
1. August Inmates by Chidubem Iweka; published by Kraft Books
2. Death and The King’s Grey Hair by Denja Abdullahi; published by Kraft Books
3. Embers by Soji Cole; published by Emotion Press
4. Guerrilla Post by Obari Gomba; published by Narrative Landscape Press
5. Majestic Revolt by Peter E. Omoko; published by Malthouse Press
6. Melancholia by Dul Johnson; published by Sevhage Publishers
7. No More the Taming Hawks by Diran Ademiju-Bepo; published by Dynasty Tales
8. Once Upon an Elephant by Bosede Ademilua-Afolayan by Kraft Books
9. Sankara by Jude Idada; published by Parressia Publishing
10. The Rally by Akanji Nasiru; published by Kraft Books
11. Unstable by Dickson Ekhaguere; published by Tryspect Solutions

"Members of the Advisory Board for the Literature Prize, besides Professor Banjo, two-time Vice-Chancellor of Nigeria’s premier university, University of Ibadan, are Prof. Jerry Agada, former Minister of State for Education, former President of the Association of Nigerian Authors, and Professor Emeritus, Ben Elugbe, former President of the Nigerian Academy of Letters and president of the West-African Linguistic Society (2004-2013).

"The Nigeria Prize for Literature has, since 2004, rewarded eminent writers such as Gabriel Okara (co-winner, 2004, poetry), Professor Ezenwa Ohaeto (co-winner, 2004, poetry) for The Dreamer, His Vision; Ahmed Yerima (2005, drama) for his play, Hard Ground; Mabel Segun (co-winner, 2007, children’s literature) for her collection of short plays Reader’s Theatre; Professor Akachi Adimora-Ezeigbo (co-winner, 2007, children’s literature) for her book, My Cousin Sammy; Kaine Agary (2008, prose) for her book Yellow Yellow; Esiaba Irobi (2010, drama) who clinched the prize posthumously with his book Cemetery Road; Adeleke Adeyemi (2011, children’s literature) with his book The Missing Clock; Chika Unigwe (2012, prose), with her novel, On Black Sisters Street; Tade Ipadeola (2013, poetry) with his collection of poems, The Sahara Testaments, Professor Sam Ukala (2014, drama) with his play, Iredi War; Seasons of Crimson Blossoms, Abubakar Adam Ibrahim (2016, prose) and The Heresiad, Ikeogu Oke (2017, poetry)."

The Nigeria Prize for Literature with a cash award of $100, 000 is awarded yearly to the best excellent work, alternating amongst four literary genres: prose fiction, poetry, drama and children’s literature which will this year be awarded to the best excellent work submitted in the Drama genre.

Leading up to the announcement of the shortlist of three and winner, there will be a number of events open to the public featuring the authors which will be publicized on the corporate social media platforms of NLNG Limited.

A shortlist of three is expected in September and a possible winner will be announced by the Advisory Board in October.

For further details about the Longlist, Click HERE

For more info about NLNG Prize for Literature, visit their page via HERE

Nigerian Writer, Anietie Isong wins 2018 McKitterick Prize with Debut Novel, Radio Sunrise

Photo credit: Newsbreaker.
Anietie Isong, Nigerian writer, has won the 2018 McKitterick Prize with his debut novel, "Radio Sunrise", making him the first Nigerian to do so since its establishment in 1990.

The Society of Authors revealed that McKitterick Prize honours the first novel by a writer aged over 40.

Speaking at the Authors’ Awards ceremony at the Royal Institute of British Architects, London, the Prize Judge,  Aamer Hussein said: “It’s a particular pleasure to discover the original, intriguing voice of Anietie Isong. 

"In his brief, deftly told Radio Sunrise, the author depicts his often-hapless protagonist’s sexual mishaps and political travails on a journey to his hometown with a unique blend of humour and poignance. An intriguing and accomplished new novelist.”

Receiving the prize from broadcaster and actor, Stephen Fry, at the well attended event by over 400 guests from across the publishing industry, the Nigerian-British writer said,  “I wrote Radio Sunrise to help draw attention to a myriad of issues in Nigeria, and I am thrilled that this resonated with the judges.”

Anietie, who is the brother of Emem Isong, an award-winning Nigerian filmmaker, with this feat, joins a distinguished line of previous winners like Helen Dunmore, Petina Gappah and Mark Haddon.

Apart from receiving the £4000 prize money, Anietie Isong has received previous awards like a Commonwealth Short Story Award and the Remember Oluwale Writing Prize.

He has worked as a journalist, speechwriter and communications manager in Nigeria and the UK. He holds a PhD in New Media and Writing. 

He will be speaking at the Marlborough Literature Festival in the UK, in September.